In 1969, Georges Perec published La Disparition, a mystery novel of sorts. The book centers around the disappearance of Anton Vowl, and traces his winding path through the various chapters of his life – though chapter five is omitted. La Disparition, or “The Disappearance,” is a story and not a story. The novel tells a tale, but also functions as an exercise. Which captures the essence of Georges Perec.
Georges Perec belonged to OULIPO, a workshop of famous French authors. The workshop for potential literature (Ouvroir de Litterature Potentielle) was both a place and a style. One of its co-founders, Raymond Queneau, published Exercises de Style, in which he wrote the same story ninety-nine different ways. This was hardly unusual. Perec, Queneau, and the other members delighted in wordplay. They wrote …